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Musikern och artisten David Byrne, mest känd som grundaren av Talking Heads, har lanserat internet radiostationen "Radio David Byrne" som strömmar musik han gillar ut till dig och din dator.

"Folk frågar mig ibland vad jag lyssnar på och jag rabblar upp en lista av skivor. Halvvägs börjar folk rulla med ögonen eftersom det är tydligt att de aldrig hört talats om artisterna. Så jag tänkte - låt oss göra det lätt. Om folk är nyfikna, låt oss göra materialet tillgängligt, låt människor se för sig själva vad de tycker," säger Byrne som noga valt ut musiken baserat på hans stora musikintresse genom vanligt köpta CD:s, smakprov, rykten och recensioner.

Om man lyssnar, vilket är gratis, kommer man höra samma sak som Byrne lyssnar på för tillfället. En uppdatering sker med ett mellanrum av några veckor. Det betyder att en del låtar kommer bytas ut med en gång och ersättas i spellistan beroende på Byrnes tycke. När sångerna strömmas blir de och artisterna också identifierade så du kan se vad du lyssnar på i den upprepande låtcykeln.

Byrne står definitivt inte på skivbolagens sida i kampen mot piratkopiering och "illegal" nedladdning eftersom han anser att skivbolagen inte försvarar artisters rättigheter och de flesta ser aldrig några pengar från skivorna de säljer iallafall. Byrne får själv inte mycket pengar från skivförsäljningen så han har inget emot hur personer får tag på hans musik och har själv illegalt laddat ner svåråtkomliga sånger för att få ett intryck om det är något han gillar, säger han i en intervju.

Internetradiostationen är också ett sätt att utsättas för nya saker. Som Byrne pekar ut har nedladdningen, laglig eller olaglig, gjort att folk tenderar att bara välja vad som är poulärt och redan gillar. Med traditionella album fick man lyssna på artistens hela räckvidd och det är något Byrne hoppas åstadkomma med radion, att utsätta folk för nya låtar, nya idéer och oplanerade upplevelser.

Radio David Byrne:
radio/index.php.

Två chilenska politiker planerar att introducera en motion att legalisera medicinsk marijuana efter en uppmärksammad och skandalartad anhållning på en mormor och en pensionerad ekonom för ha odlat marijuana för att lindra sina besvär orsakat en nationell debatt.

"Vi vet om att detta är en oavslutad debatt i Chile men vi förstår poängen att folk behöver den här substansen, och vi letar efter en lösning för dessa människor," sa Laura Soto från Party for Democracy som är en del av den styrande center-vänster Concertacion-koalitionen.

Soto och partikollegan Antonio Leal sa att de planerade att lägga fram förslaget de kommande dagarna. Socialt konservativa chilenare har traditionellt sagt nej till drogbruk, men marijuana har nu blivit mer accepterat. En opinionsundersökning från regeringen visar att över de senaste 10 åren har marijuanabruk smått ökat, och mer än 5% av chilenare säger nu att de använt marijuana det senaste året.

Förslaget skulle göra marijuana tillgängligt genom apotek med ett recept och eliminera straff för människor som odlar sin egen medicin.

Förra veckan anhölls den 64-åriga pensionerade ekonomen Juan Quintana i sitt hem utanför Santiago efter att polis sökt igenom hans bostad och hittat 13.7 kg marijuana, 55 plantor och kakor som tros innehålla den lätta drogen. Quintana sa att han konsumerar marijuana i kakform pga ett lungproblem.

Ett par veckor tidigare anhölls Maria Luisa Velasco, 71, i hennes hem efter att polis upptäckt 44 växande marijuanaplantor. Velasco, som är fd hustru till en fd senator, sa att plantorna var för medicinskt ändamål. Hon släpptes senare mot borgen.

I ett annat liknande fall friade en överklagsdomstol en 41-årig man med AIDS som hade odlat och använt cannabis som smärtlindring. Han hade åtalats för ha odlat cannabis och smuggling, men en lägre domstol friade honom på alla åtal. Nu fastställdes domen av appellationsdomstolen i Santiago. Hans läkare hade föreskrivit Marinol, men pga att medicinen är olaglig i landet hade tullen beslagtagit den och han började då odla sin egen medicin som ett alternativ.

Detta är en intervju på engelska upplockad från litteratur-zinet Beundransvärd Mentalitet som hanterar samhällsomstörtande litteratur, bokrecensioner från lömska utländska bokförlag, mm, gjord av Daniel Westerlund med den excentriska undergroundförfattaren Peter Sotos från 2000.

Beundransvärd Mentalitet: Is it fair to say that all your work comes from an examination of what is thought to have or what undeliberately has pornographic value?
Peter Sotos: Yes, well, what is pornographic value? Is it what you masturbate to?
BM: At least for me. This examination, why is it necessary?
PS: It is how one lives ones life. I am suddenly aware of how pretentious this is. Everything you look at, you have to give value to. And if its what you masturbate to then; fine. But I actually don't believe that. I don't believe that the work with pornography is what you masturbate to. I really couldn't give a rat's ass. I am forty years old and cumming, or jerking off, isn't particularly important to me. Breathing is. And making sure that everything that I see, everything I pay attention to is part of me, integrated to what I see as my everyday life. That is more important to me than at the end of the day having a wank or whatever. That is very unimportant. So pornographic value to me is much more than just cumming and beating off. I don't do that much and I don't give a fuck.

BM: You said something last night [at the Spoken word festival] about the writing telling you more than you telling it, so do you ever get amazed of what comes from writing?
PS: It doesn't amaze me - it clarifies things. You are influenced by certain things, or impressed, excited by certain subjects. And the amount of effort that you put into that is this information, it is what you get back. And so, yes, it does tell me a lot. If I am focusing on Jon Benet or Ian Brady or whatever, the more work I put into the actual reading the more I get out of it.
BM: In that interview with Jim Goad in Total Abuse -
PS: That was quite a long time ago.
BM: Yeah quite a long time ago - you said something about reading a lot of material while working at the meat packing plant which started revealing a lot of stuff.
PS: That was with Parasite. When I got arrested I was told "You couldn't do this", you know. I had to move back with my mother, who I hadn't talked to in fucking years, I mean we don't have a relationship at all. And I was forced by the court in the court pages that I had to live with my mother. So I moved back with this woman who I didn't fucking know and pretend that there was some fucking family thing. And then I was told "you can't read this, you can't do this". So I went off to work at the meat packing plant and I was really quiet and just sort of did, did what I did, and I enjoyed it. There were prostitutes all around that neighbourhood and it was really a sort of aggressive male atmosphere, but that is how I lived my life at the time. And so I was just wanting to make sense of what I was reading and Parasite is what came out.

BM: How much do you know about a book or a text before you actually sit down and write it?
PS: I have a vague idea of what I want to do, what I am enjoying. With Tick it was Pat Hodges who is on the cover. In Lazy it is Jon Benet. I have sort of an idea of that I am paying attention to, and then I sort of work through that. And I take the information to see what exactly I am enjoying, what it is I'm excited about.

BM: Do you need to write to do that?
PS: Well, I think the writing is a by-product. This is how you enjoy the material. That make sense?
BM: Sure. I think it is in Tick that you write: "people become pornography, choices become demands, demands become personalities". What are these choices that you make?
PS: In Tick, the problem is that you realize that the choices have made you. When you are young, when you are your age, you have these choices; a sort of incredible ray of choices and you can choose this, that or the other. And that you think when you are being very nitzschean, that "all right, I'll do this, that or the other". But as you get older you realize that these choices you've made, well they weren't based on the soundest judgement, and that they actually in turn made you. Like for example a glory holy, or a prostitute. There is a latter if you will, and you find yourself on the lower realms. You find yourself tainted, stained, by the choices you've made. So you are unable to erase it. You realize that everybody is dragging you down, and that is not a judgement on those people. But if you are talking about, say for example, glory holes, mouth pigs, crack addicts and stuff like that. When you get older you see that you over the years have been depleted and you are what they've made you. For years and years you are saying: "these fucking pigs, these pigs exist" and you are feeding of it which I actually DO believe, I DO think you feed of it, but I think as you get older, they have been feeding you, and sort of defining you. And if you take sex for example. If I wanted at this point in my life to have a relationship, you know a 'normal' relationship, I wouldn't be able to do it. 'Cause I ahve spent my life with these fucking degenerates. I think the whole point is that the idea of reading and studying and doing work as a way to expand your horizons doesn't comply to me. With me, I've reduced my horizons over the years, narrowed it to a fine point where you have nowhere else to go. Those people that you've been with have made you, rather than the opposite.

We change subject, and go on to talk about people in the porn industry.

PS: I know a lot of porn directors and what not and I do sort of check the damage it [the films] brings, which to be perfectly honest and impolite, I enjoy very much. I live for that.

BM: Do these porn directors theorize about the pornographic value or are they just interested in sale value?
PS: Well, it would be an abnoxious think to say in an interview but I mean, there are two people I actually think of as above it: David Clark and Jamie Gillis, who are completely aware pf what they're doing and what they're pulling from it. But no, more often than not I think they sort of commodify something and if you talk to them it's actually just capitalism and blah blah blah. This is how they work and this is how much they need to make money, and the truth is that they are in effect depleted by it, they are reduced to that sort of thinking, that it's all: cunts, tits, ass, everything is acceptable as long as they get fucked at the end of the day. But there are the odd few and Jamie Gillis, who I should say I am doing a book with [Public], is very different from that.

BM: You have this line in Total Abuse where you say that: "someday, someone is going to murder the perfect woman." Was Jon Benet the perfect woman?
PS: No, absolutely not. Do you think she is?
BM: Well, I don't know, I am asking you.
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